““I was so lucky to meet my composer Peter Baert over in Belgium when I was doing a project there. Later, when I was doing this, he wrote me and ended up sending me eight tracks that I just couldn’t shake — even though we already had another composer. And when I cut Peter’s music is as an experiment, it all just worked perfectly. Within a week, he flew over, sat next to me in the edit, and that’s how he became my composer. He’d never done an English-speaking film before, and he totally nailed the tone. We recorded and mixed at Galaxy, and did all the sound design and mixing at Sony and re-recording at Deluxe Hollywood.””